翻訳と辞書 Words near each other ・ Hussein Ibish ・ Hussein Isaac ・ Hussein Issa ・ Hussein Jwayed ・ Hussein Kamal ・ Hussein Kamel ・ Hussein Kamel al-Majid ・ Hussein Kamel of Egypt ・ Hussein Khairan ・ Hussein Khaliqi ・ Hussein Khomeini ・ Hussein Kulmiye Afrah ・ Hussein M'Barki ・ Hussein M. Zbib ・ Hussein Maalim Mohamed ・ Hussein Madi ・ Hussein Mahmood Jeeb Tehar Gass ・ Hussein Mahmoud Ferzat ・ Hussein Maziq ・ Hussein Mjalli ・ Hussein Mohamed ・ Hussein Mohamed Sheikh ・ Hussein Mohamud Sheikh Hussein ・ Hussein Monsalve ・ Hussein Moussawi ・ Hussein Mwinyi ・ Hussein Mzee ・ Hussein Naeem ・ Hussein Naim ・ Hussein Nasser Al-Huraiti Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Hussein Madi ： ウィキペディア英語版 Hussein Madi Hussein Madi (Born 1938, in Chebaa, Hermon, Lebanon) is a Lebanese painter, sculptor and printmaker. He studied painting, sculpture and etching in Beirut (at the Lebanese Academy of Fine Arts) and Rome (at the Academia di Belle Arti). He lived between these two cities between 1973 and 1986. In Rome, he did advanced research on Arabic's cultural heritage and on Egypt. He went back to Lebanon in 1986 where taught sculpture and engraving at the institute of Fine Arts of the Lebanese University and, from 1958 to 1962, at the Lebanese Academy of Fine Arts. He has been exhibiting in Europe since 1965. His art has been showcased at the British Museum, the Venice Biennale and Tokyo's Ueno Museum. ==Life and Work== Hussein Madi's body of works relates to modern European artists like Matisse and Picasso as well as the abstract designs of Islamic art. Madi outlines a silhouette of man on the entire surface of the canvas with two quick strokes of his large brush. A vertical line and a curved one make up the frame of this stylized painting. The features of his characters are those of the Oriental man clearly showing his cultural heritage. In their attitudes, two expressions are found: a static one which shows permanence in the face of the transitory, and the deep Oriental faith in immortality and eternal rest, and also a facial expression of cruel irony, playing the part of the mask in the Greek tragedy or an expression of suffering through stiff posture, like the loud outburst of a horrible cry, the terrible roar of the Assyrian lioness dragging along her crushed rump. This rending roar personifies the cry of Humanity. The Italian critic Joseph Silvaggi writes about Madi: "His drawings are filled with symbols and rich with artistic conventions in simplified forms; they are an enchanted script, a résumé of figurative art, the art of modern man." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hussein Madi」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.